LITERATURE: What is Commonwealth Literature?
- Commonwealth Literature, Post-Colonial Literature in
English, New Literature in English, World Writing in English – these are just
some of the terms being used to describe the writings of ‘members’ of the former
British Empire.
The (British) Commonwealth of Nations, to give it its original name, is an association of states comprising Britain and its former colonies, along with their dependencies.
The (British) Commonwealth of Nations, to give it its original name, is an association of states comprising Britain and its former colonies, along with their dependencies.
The original grouping in 1931 and comprised Australia,
Canada, South Africa and New Zealand who, while self-governing, pledged
allegiance to the British Crown. The association was expanded and restructured
in 1949, when participants agreed to drop both the ‘British’ and the concept of
allegiance. Today the Commonwealth is a loose alliance of 53 countries, with a
combined population of more than one billion.
The number of titles, however, reflects the growing international importance of such writings as evidenced this month at the London Festival of Commonwealth Literature, with writers coming from around the globe.
It is an important milestone because many universities
around the world now have courses in Commonwealth Literature, or some similar
nomenclature, and academics are churning out books seemingly at the same pace
as the fiction writers, poets and dramatists. Professors who teach the subject
say that students who want to study English Literature are increasingly
interested in the works coming from the English-speaking Caribbean, Africa,
Canada and South-East Asia.
‘Commonwealth
Literature’ is thus used to cover the literary works from territories that were
once part of the British Empire, but it usually excludes books from the United
Kingdom unless these are produced by resident writers who originate from a
former colony. The great irony, however, is that much of the best literature
that has emerged from Britain in the last years has been produced by writers
from or with roots in colonies.
These writers include V.S. Naipaul (Trinidad), Salman
Rushdie (India), Ben Okri (Nigeria), Timothy Mo (Hong Kong), and the late Jean
Rhys (Dominica). Their excellence has led to articles and even books being
titled ‘The Empire Writes Back’.
‘Commonwealth Literature’ is sometimes used interchangeably with
‘post-colonial literatures’ although the latter could include literatures in
other languages as well, such as French or Portuguese. Commonwealth Writers
had more in common with the ‘magical realism’ of Latin American authors than
with other ex- British colonies.
Most critics agree that ‘post-colonial’ in the English
context covers the literatures of African countries, Australia, Bangladesh,
Canada, Caribbean countries, India, Malaysia, Malta, New Zealand, Pakistan,
Singapore, South Pacific Island countries, and Sri Lanka, to quote from one
recent analysis.
A similar roster of nations would fit under
‘Commonwealth’. But while some post-colonial theorists would also place the
United States in their category, those who favour the term Commonwealth would
definitely exclude America, while including countries such as South Africa for
‘reasons of completeness’. South Africa left the Commonwealth in 1961 but
rejoined it in 1994.
One important aspect of so-called Commonwealth
literature may be that it is written in one place by people from another place.
Whereas an earlier generation of writers settled in Britain, many contemporary
authors have chosen to live in Canada or the United States. A significant part
of the West Indian, or Caribbean, diaspora (itself part of the African diaspora)
has found itself in Canada, alongside the Indian/Asian diaspora.
Some internationally known writers in Canada who
originate from elsewhere include Rohinton Mistry, Cyril Dabydeen, Michael
Ondaatje, Olive Senior and Neil Bissoondath, just to name a few.
Many of these writers’ parents were themselves
descendants of migrants from still other colonies. Thus a feature of their
writing concerns displacement. But this feature is not unique to the literature
of Commonwealth countries; African-American and native American authors also
speak of displacement.
Perhaps the only thing that is common to Commonwealth
Literature is the English language, yet it is English with a difference. In a
Caribbean short story, for instance, the narrative may be in the ‘Queen’s
English’, while the dialogue may be in Creole. The same goes for African as
well as Indian literature where indigenous words are incorporated without
translation.
Complicating things, however, is the fact that there
are many writers in Commonwealth countries who have chosen not to write in
English, either to make a political statement or to reach those who don’t speak
the language.
The prize is called the ‘Commonwealth Writers Prize
Commonwealth
Short Story Prize
Year
|
Region
|
Author
|
Title
|
Country
|
Africa
|
Morrison Okoli (1955–2010)
|
Nigeria
|
||
Asia
|
Radio Story
|
India
|
||
Canada and Europe
|
The Ghost Marriage
|
Scotland
|
||
Caribbean
|
The Dolphin Catcher
|
Jamaica
|
||
Pacific
|
Two Girls
in a Boat
|
New Zealand
|
||
Africa
|
The New Customers
|
South Africa
|
||
Asia
|
The
Sarong-Man in the Old House, and an Incubus for a Rainy Night
|
Sri Lanka
|
||
Canada and Europe
|
We Walked On Water
|
Canada
|
||
Caribbean
|
The Whale House
|
Trinidad and Tobago
|
||
Pacific
|
Things with Faces
|
New Zealand
|
Commonwealth
Book Prize]
Year
|
Region
|
Author
|
Title
|
Country
|
Publisher
|
Africa
|
South Africa
|
Jonathan Cape
|
|||
Asia
|
Sri Lanka
|
Random House
|
|||
Canada and Europe
|
Canada
|
Goose Lane Editions
|
|||
Caribbean
|
Jamaica
|
Peepal Tree Press
|
|||
Pacific
|
Australia
|
The Text Publishing Company
|
|||
Africa
|
Nigeria
|
Pearson Education
|
|||
Asia
|
Sri Lanka
|
Perera-Hussein Publishing House
|
|||
Canada and Europe
|
United Kingdom
|
William Heinemann
|
|||
Caribbean
|
Jamaica
|
self-published
|
|||
Pacific
|
Australia
|
Affirm Press
|
Commonwealth
Short Story Competition (1996–2011
Year
|
Author
|
Country
|
Title
|
1996
|
|||
1997
|
"Crab Catcher"
|
||
1998
|
|||
1999
|
|||
2000
|
"The Release"
|
||
2001
|
"Saving Rupa"
|
||
2002
|
"The Cleaning Class"
|
||
2003
|
"A Morning Swim"
|
||
2004
|
"Going Home"
|
||
2005
|
"Treason"
|
||
2006
|
"The
Moon, the Cat and the Donkey"
|
||
2007
|
"Sozi's Box"
|
||
2008
|
"World Backwards"
|
||
2009
|
"Table Talk"
|
||
2010
|
"Retirement"
|
||
2011
|
Philip Nash
|
"Rejoinder"
|
Commonwealth
Writers' Prize: Best Book (1987–2011)
In the following lists for the Best Book Prize and Best First Book, the
overall winners are in bold and in blue background; those not in bold are the
winners of the listed regions.
Year
|
Region
|
Author
|
Title
|
Country
|
Publisher
|
Africa
|
Sierra Leone
|
||||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
South Africa
|
||||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
India/UK
|
||||
South
East Asia and South Pacific
|
Samoa
|
||||
Africa
|
The
Lost Colours of the Chameleon
|
South Africa
|
Picador Africa
|
||
Canada and the Caribbean
|
Good to a Fault
|
Canada
|
|||
Europe and South Asia
|
India/UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The Hangman's Game
|
Nigeria
|
Peepal Tree Press
|
||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
India
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The Native Commissioner
|
South Africa
|
|||
Canada and the Caribbean
|
The
Friends of Meager Fortune
|
Canada
|
|||
Europe and South Asia
|
The Perfect Man
|
UK
|
|||
South
East Asia and South Pacific
|
Mister Pip
|
New Zealand
|
|||
Africa
|
The Sun by Night
|
Ghana
|
Africa World Press
|
||
Canada and the Caribbean
|
Aligator
|
Canada
|
House of Anasi Press
|
||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
Text Publishing
|
|||
Africa
|
Boy
|
South Africa
|
|||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
Small Island
|
UK
|
Review
|
||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The Good Doctor
|
South Africa
|
|||
Canada and the Caribbean
|
Canada
|
Flamingo
|
|||
Europe and South Asia
|
A Distant Shore
|
UK
|
|||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The
Other Side of Silence
|
South Africa
|
|||
Canada and the Caribbean
|
The Polished Hoe
|
Canada
|
Thomas Allan
|
||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
South Africa
|
||||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The Heart of Redness
|
South Africa
|
|||
Canada and the Caribbean
|
The Hero's Walk
|
Canada
|
|||
Europe and South Asia
|
UK
|
Flamingo
|
|||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
South Africa
|
||||
Canada and the Caribbean
|
What the Body Remembers
|
Canada
|
|||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Too Many Men
|
Australia
|
|||
Africa
|
If You
Can Walk, You Can Dance
|
South Africa
|
Shola Books
|
||
Canada and the Caribbean
|
Aelred's Sin
|
Trinidad
|
|||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
Walking Still
|
Zimbabwe
|
Baobab Books
|
||
Canada and the Caribbean
|
Barney's Version
|
Canada
|
|||
Europe and South Asia
|
Love
and Longing in Bombay
|
India
|
|||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
Under the Tongue
|
Zimbabwe
|
Boabab Books
|
||
Canada and the Caribbean
|
Salt
|
Trinidad
|
|||
Europe and South Asia
|
Every Man for Himself
|
UK
|
|||
South
East Asia and South Pacific
|
Leaning Towards Infinity
|
Australia
|
|||
Africa
|
No selection made
|
||||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
Therapy
|
UK
|
|||
South
East Asia and South Pacific
|
The Grass Sister
|
Australia
|
|||
Africa
|
South Africa
|
||||
Canada and the Caribbean
|
A Way
in the World
|
Trinidad
|
|||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
The Rape of Sita
|
Mauritius
|
Ledikasyon pu Travayer
|
||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
India
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
Tides
|
Nigeria
|
|||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
Persistent Rumours
|
UK
|
|||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
Changes
|
Ghana
|
The Women's Press
|
||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
Señor Vivo & the Coca Lord
|
UK
|
|||
South
East Asia and South Pacific
|
Ola
|
Samoa/New Zealand
|
|||
Africa
|
The
Last Harmattan of Alusine Dunbar
|
Sierra Leone
|
|||
Canada and the Caribbean
|
Friend of My Youth
|
Canada
|
|||
Europe and South Asia
|
UK
|
||||
South
East Asia and South Pacific
|
Australia
|
||||
Africa
|
Harvest of Thorns
|
Zimbabwe
|
Baobab Books
|
||
Canada and the Caribbean
|
Canada
|
||||
Europe and South Asia
|
The Great Indian Novel
|
India
|
|||
South
East Asia and South Pacific
|
The
Bay of Contented Men
|
Australia
|
|||
Africa
|
Nervous Conditions
|
Zimbabwe
|
The Women's Press
|
||
Canada and the Caribbean
|
Myal
|
Jamaica
|
New Beacon Books
|
||
Europe and South Asia
|
The Lost Father
|
UK
|
|||
South
East Asia and South Pacific
|
New Zealand
|
||||
Africa
|
Heroes
|
Nigeria
|
|||
Canada and the Caribbean
|
The Honorary Patron
|
Canada
|
|||
Europe and South Asia
|
Songlines
|
UK
|
|||
South
East Asia and South Pacific
|
The Sea and Summer
|
Australia
|
|||
Africa
|
Incidents at the Shrine
|
Nigeria
|
|||
Africa
|
A Forest of Flowers
|
Nigeria
|
Saros International
|
||
Canada and the Caribbean
|
Canada
|
||||
Canada and the Caribbean
|
Summer Lightning
|
Canada
|
|||
Europe and South Asia
|
Plans for Departure
|
India
|
|||
South
East Asia and South Pacific
|
Winter in Jerusalem
|
Australia
|
|||
South
East Asia and South Pacific
|
The Matriarch
|
New Zealand
|
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